Monthly Archives: August 2016

Taking that Burger with a Side of Characterization

29 Monday Aug 2016

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Hey, all! Today I want to talk to you about characterization. For those of us who need a quick reminder/definition: Characterization is how and what we learn about someone in a story that makes them feel/seem like a real person; details about a character in your story.

Everybody got it?

Need an example?

How do we know the main character’s best friend is in love with them? Because they run out of a date to help the main character, and other “above and beyond” type of things that a friend wouldn’t normally do.

A big part of characterization, I believe (but I’m sure most others would agree with me-if I could ask them-which I can’t-so we’ll just assume), is (and here’s the phrase you’re probably tired of hearing) showing not telling. Quick reminder: the “show don’t tell” advice is straight forward, show the readers something in the story don’t tell the readers about something that we didn’t see.
For instance, if you end a chapter/scene with the main character going off to break into the bio-tech lab, don’t start the next chapter/scene after the break in and tell us it went well, show us the break in.

The same thing goes for characters in your story. Don’t have a character tell us another character is a jerk, show us that character is a jerk by their actions and interactions with the other characters. And here’s the thing, if you are having a character tell us another character is a jerk, then it says more about the character telling us about the other character than it does about the character they’re telling us about.

Sometimes coming up with what your character is like is tough (you can’t characterize your character to yourself). You just can’t figure out how your character would react in a scene. In these cases it can be a good thing to take them out of the story for moment and think about them doing something completely mundane. In this example let’s say their eating lunch. What do they eat for lunch? Are they are a fast food type of person? If they are, are they not concerned with their weight/health? Or are they a salad type of person? What kind of salad? Do they go out to a restaurant to eat lunch or have it delivered to where they work? Do they like to eat with people, or do they eat alone in their car to have a few minutes to wallow?

As you can see, when it comes to characterization lunch can be so much more than just something that happens. Lunch can be another way to show us what your character is like.

I hope this helps.

Until next time: Be yourself, be well. Write yourself, write well.

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Honestly Serious. Seriously Honest.

04 Thursday Aug 2016

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Oh, it’s going to be one of those posts. I’m going to drop a chest nut on you.

I’ve brought this up before on the blog: “Write what you know.” It’s a mainstay of writing advice. What isn’t a mainstay of that advice is the reason behind the advice(I’ve never seen presented).

So that’s what we’ve got today. The reason behind the “write what you know” advice.

Okay. Now that you’ve stopped hyperventilating from excitement, keep reading.

So the reasoning behind the advice is simple, we’re trying to fill the page with honesty. That honest moment; being alone in a crowded coffee shop, or that moment when two people connect and form an unbreakable friendship. That honest feeling; the realization that the universe is too big for you, or how excited your pet is to see you when you come home from work lets all the shit from the day fall off your shoulders. Whatever you honestly know and have experienced coating the page so readers can connect with your story.

I’m going to pull back the curtain so you can see backstage of my writing. SPOILER ALERT: If you’re a fan of my other writing, and don’t want the whole thing dissected then skip to the salutation. For those of you that remain here’s some honesty for you: For a good chunk of my life, and I’m talking a solid 25 years, I’ve felt alone, like I didn’t belong, it’s something that I struggle with even now. I joke, but it really is true, that I was raised to be an outsider by a family of outsiders. So if you look at my writing it’s all, and I mean every story I’ve written, is about being alone, feeling isolated, struggling to find a place to fit. That’s the emotion I know the most, and that’s the emotional truth I put onto the page.

Now, that write what you know advice doesn’t have to consume the entirety of your stories like mine does. In the examples above I mention that pet whose enthusiasm to see you makes life easier to bear. That is an emotional truth itself, and you can use it in your writing. I would like to express the emotional truth is not the same as actual truth, so you can apply the knowledge of that moment and relationship to a married/dating couple. It’s still fiction writing after all. You see just because you haven’t experienced a specific thing, let’s say divorce, doesn’t mean you haven’t felt alone, or betrayed, and can apply it to the character in your story that is getting divorced.

The important thing to remember is the honest emotions you’ve experienced and apply those to your writing. The problems arise when you try to write about an emotion you haven’t experienced. Don’t be discouraged, every day you get to run through, roughly, 16 hours of emotions, eventually you’ll have enough for a whole saga of novels.

Until next time: Be yourself, be well. Write yourself, write well.